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South East Asian Art Market Trends
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South East Asian Art Market Trends Over The Past Decade
Over the past ten years, the Southeast Asian art industry has blossomed and managed to carve a niche for itself in the ever-evolving world of fine arts. Factors like the uniqueness of the artwork, its place of origin or provenance, and its existing condition and quality continue to decide its value and worth in the ever-evolving art market. The rich and diverse culture of the artists of this region adds an undeniable appeal to the artistic creation and is, in a way, seen as a celebration of their roots and cultural heritage.
Here, we explore some of the trends this sector has witnessed over the past decade.
A Shift In Collector Preferences, To Include Contemporary Works Of Art Along With Traditional Creations
The steady economic growth in the recent times has translated to a flourish in art appreciation, investment and therefore artistic creations. The increasing affluence and greater influence in matters of global politics and economics of this region, has played a part in the flush of contemporary art from this region. It is often seen as a platform to find a foot hold for region specific art, in the global art world and to showcase the new, modern face of Asia to the world. More than galleries or auction houses, it is the educated, well-heeled and wealthy collectors, who are driving this trend. The strength of contemporary art lies in its ability to highlight both local and global concerns, while remaining rooted to or influenced by a unique culture or heritage.
A Shift In The Way Artists Approach Their Work
The last few years has seen more artists use their art, as a voice to respond to the social and political tensions in their societies. Their art has captured the socio cultural and political landscape to create powerful works of art, while staying true to their roots.
The previous few years has also seen artists experimenting with different medium, combining traditional art forms with contemporary expressions. The visual vocabulary created by these artists often reemphasize the fact that creative work can often act as a catalyst for positive change, while simultaneously managing to shine the spotlight on traditional artistic methods.
The last ten years have also witnessed artists getting more attuned to market trends and collector preferences, while retaining their own artistic liberties, thereby creating pieces of art that have a global appeal.
A Shift In Customer Engagement Channels
These art markets have been garnering a lot of global attention in recent times. One of the main trends in this respect, witnessed over this time frame is the ease of visibility and accessibility of these art works for potential customers, through increased number of exhibitions, biennale, museums, and private patronage.
What the South East Asian art market was lacking, was not talented artists, but a strong and internationally competitive art ecosystem, to showcase its plethora of fine arts. The past years have seen a dramatic change in this aspect, with Singapore emerging as a sort of cultural hub for art from this region and forming a veritable ecosystem, to showcase its delightful offerings. Art fairs are a major attraction for visitors and help hundreds of galleries, curators, artists and collectors to show, buy and sell the best of the regional art. These art fairs act as a channel to connect the artists and potential customers.
A Shift In The Perspective, Where Art Is Seen As A Resilient Investment Option
The recent years have seen a huge shift in the way collectors, mainly Asian collectors, view art as a solid investment choice. There is also a widespread notion that investing in South East Asian art, may offer a bargain for the collector, as they can get a quality art piece from a blue chip artist here, for a fraction of the cost when compared to established artists in the west. The rise of the tech savvy, globetrotting collector who values art not just in terms of monetary investments, but also in terms of its human and intellectual potential, has also been a major game changer. The relative stability of art in a volatile economic scenario, has also boosted its status as a solid investment option. The last few years have seen a dramatic change in the buying and selling of artwork from this region, releasing it from geographical constraints and making it globally diversified. This trend has in many ways buffered the risks, enabling the local art markets, to bounce back better after a recession.
A Shift In The Customer Landscape To Include A Wider Range Of Customers, Who Understands The Value And Nuances Of The Artwork
The past few years have seen a sizable increase in collectors who are young, well-traveled and social media savvy. They are better informed about the subtle nuances of the art creations and their value; money being a part of it, and not the whole. These collectors, in many cases millennial's, are a force to reckon with, driving gallery sales, aiding in museum developments, both public and private. The local art market’s strength lies in the face that most of its patrons hail from that region itself. This makes their collections more focused and often these collectors are well informed of the nuances of art, specific to that region.
This time frame has seen a significant positive trend, with respect to elements such as individual buying capacity, development in cultural infrastructures, rise of art institutions and support services, to enhance the art markets. It has also witnessed favorable government regulatory climate, both within the region and internationally.
These favorable trends will play a significant role in helping these regional specific markets find a foot hold in the global art markets.
Author: Anupama Vijayakumar
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Why You Should Start Collecting Asian Art Right Now
Image Credit: Installation view of RIFTS: Thai contemporary artistic practices in transition, the 1980s – 2000s at BACC Bangkok Source: Timeout Magazine https://www.timeout.com/bangkok/art/rifts In 2013, when Art Basel opened the doors of its first edition in Asia, the New York Times reported: “…this year, Hong Kong, once derided as a cultural desert, nabbed a prize coveted by cities across the region—serving as Art Basel’s only Asian outpost. The inaugural Art Basel Hong Kong, which opens to the public today, has drawn planeloads of collectors and gallery bigwigs from the West, lured here in part by the growing, glittery market”. The fact that the world’s most prestigious art fair had settled in Hong Kong was interpreted as a milestone in Asia’s art market race to success. ART Basel Hong Kong, Source: Mousse Magazine In the past decades, in addition to the western interest in Asian art, a young generation of Asian collectors have begun turning their attention to the regional art scene, with the intent of creating a new model of collecting. A full annual calendar of biennials, shows, and art fairs has increased the region’s international visibility and it boosted the self-confidence of buyers from countries other than China, such as Malaysia, Indonesia, Thailand, and Singapore to adventure into collecting Asian art. Nevertheless, two decades is a very short time span for establishing a culture of collecting, therefore, much more art remains to be discovered and enjoyed, making the Asian Art Market one of the most exciting and promising art markets in the world. Here are some reasons why you should start collecting Asian art right now: THE CULTURAL COMPLEXITY AND DIVERSITY A critical question that has preoccupied the scholars is ‘What is contemporary Asian art?’ Contemporary art from Asia is now seen in major international exhibitions around the world, but is there such a thing as contemporary Asian Art when Asia is inhabited by hundreds of ethnicities speaking thousands of languages and dialects and practicing all major religions of the world? Art has been dramatically transformed by the late twentieth-century process of globalization. An extensive exchange between Europe and America on one side and Asia on the other side has led to the uniformity of the art practices across the globe - on the surface. Beneath the surface, contemporary Asian art cannot be removed from the context of tremendous political and economic changes in the region and from its history and cultural heritage, which is making it unique and adding layers of complexity. PHILIPPINES After the independence of the Philippines (1946) the quest for cultural identity began. In the decades that followed, Filipino art has seen fast changes that revived the interest in indigenous and non-Hispanic culture and the break from the colonial past. After an intense modernist period (Jose Joya) dominated by abstract American aesthetics, avant-garde experiments followed (David Cortez Medalla) only to pave the way for conceptual art (Ray Albano and Roberto Chabet). When the social realist-dominated era under the regime of Ferdinand Marcos finally came to an end, artists started to look elsewhere for inspiration reviving an earlier interest in the indigenous communities (Imelda Cajipe Endaya). Currently, many contemporary artists are exploring topics such as mass migration and the socio-political situation. Paytas 2013, Oscar Villamiel, Source: Artsy Oscar Villamiel’s work highlights elements of poverty, consumerism, and religion in his country. During the 2013 Singapore Biennale, he exhibited a large-scale installation Payatas that featured thousands of salvaged doll heads and other items gathered for two-and-a-half years to remember the victims of a tragedy that took place in the Payatas, Quezon City, where a number of unaccounted scavengers died under the collapse of the land. Ronald Ventura is another prominent contemporary Filipino artist known for his unique style and dynamic scenes combining realism, cartoons, and graffiti. Ventura's references range from science fiction, Western history, Asian mythology, Catholicism and popular comic book characters. INDONESIA AND THAILAND Super Jumbo, 2011, Heri Dono, Source: The New York Times As the first Indonesian artist to break into the global art scene during the early 1990s, Heri Dono's work is highly appreciated for his use of traditional art forms such as Hindi literature, Wayang puppetry, Javanese metaphysics, recycling techniques and a wicked sense of humor. These creative practices express Dono’s commitment to social justice and his interest in revitalizing arts that are deeply rooted in Indonesian traditions. Thai artist Piyarat Piyapongwiwat uses her art as a platform to give a voice to marginalized groups and to highlight the difficulties faced by artists in a military-run country like Thailand. The many other examples of the very complex art practice specific to contemporary Asian artists should determine any person with an interest in art to start a personal voyage of discovery and to build connections with the art produced in the region. ECONOMIC REASONS There has always been a direct relationship between the wealth of society and the art market since art collecting is the privilege of individuals having disposable income. According to the World Wealth Report report, HNWI population in the Asia-Pacific region in 2020 was 6.9 million with a cumulated wealth of US$24 trillion, ranking second after North America, a year-on-year increase of 5.8% and 8.4%, respectively. Source: https://worldwealthreport.com/reports/population/north-america/ Furthermore, according to The World Economic Forum, in 2020, an estimated 2 billion Asians were members of the middle class and that number is set to increase to 3.5 billion by 2030. In comparison, middle-class membership in the Americas is expected to hit 689 million in 2030, currently counting 647 million in 2020. Source: https://www.weforum.org/agenda/2020/07/the-rise-of-the-asian-middle-class Asia is looking great in statistics, a strong reason for optimistic predictions for the art market in the near future. A growing middle class is a sign of economic health and it is expected to translate into increasing demand for art and further market appreciation for contemporary Asian artists, as can already be observed in the secondary art market. Major auction houses (Christie’s, Sotheby’s and Phillips) are hosting Contemporary Asian Art sales with great success. GROWING POTENTIAL Considering the affordability of the Asian art market, when compared to the established western nations, now is the ideal time to start collecting or expanding your collection of Asian contemporary art. Asian artists have been steadily making waves, and history, amid decades of growth. But despite seeing a positive trend, there are still many under-evaluated artists with an incontestable historical value. For example, Kazuo Shiraga’s paintings are sold for millions at auction, in comparison with other pioneer members of the Gutai movement being sold in the lower hundreds; the same could be said about the post-war generation of conceptual Filipino artists or the Indonesian and Thai contemporary artists. 10,000 Paintings I Must Paint Before I Die, 2009, Roberto Chabet, Source: Asia Art Archive Having said this, there are many contemporary artists whose markets remain primary. The number of artists that had no exposure to the auction system makes up a substantial part of Asia’s emerging contemporary art landscape. Many Asian artists are successful in their country through their studios, local galleries, or cultural institutions, but haven’t yet had the opportunity to establish themselves on the international scene. Closing this gap is possible by enabling technology to connect artists and collectors. This comes as a big responsibility for art platforms and art marketplaces such as RtistiQ. A FUNCTIONAL ART ECOSYSTEM A growing Asian network of art institutions, art events, art academics and professionals is crucial in the effort of the self-determination of contemporary Asian art. To quote the director of one of the most ground-breaking art spaces, Para Site Hong Kong, Cosmin Costinas: “There are great efforts currently done to decolonize the world of art, from what is being said and by whom they are being said, to how we understand institutions and funding and the power structures that lie behind them.” Growing an art infrastructure focused on Asian art is crucial for the art market to reach its potential. These institutions are playing a key role in researching, documenting, and recording artists, art movements, their interconnections, together with the socio-political and economical context from which they have emerged, ultimately validating artists independently from the Western art recognition system. In the past decades, many blue-chip dealers (Pace Gallery, Gagosian, White Cube, and David Zwirner) have been setting up outposts in Asia, especially in Hong Kong but most importantly, many homegrown galleries have become internationally successful and are able to foster the careers of Asian artists. The institutional scene has also come a long way with the opening of many private and public museums and art institutions: Hong Kong Museum of Art, Singapore Art Museum, MACAN Jakarta, Mori Art Museum Tokyo, soon to be open M+ Museum Hong Kong, Asia Art Archive Hong Kong, BACC Bangkok, MAIIAM Contemporary Art Museum in Chiang Mai. In normal times, a full art calendar of major art events is keeping the art enthusiasts busy for the entire year: Biennale: Gwangju Biennale (South Korea) Busan Biennale (South Korea) Bangkok Art Biennale Thailand Shanghai Biennale China Taipei Biennial Taiwan Kochi-Muziris Biennale, India Guangzhou Triennial, China Art Fairs: Art Basel Hong Kong Shanghai Contemporary Art Fair India Art Fair Tokyo International Art Fair Art Fair Philippines Art Jakarta, Indonesia Discover emerging Asian artists on RtistiQ and start collecting their art available in our latest curated collection ASIAN ART TO COLLECT. https://art.rtistiq.com/en/collections/asian-artists-to-collect- Author: Floarea Baenziger

10 Exciting Southeast Asian Artists Experimenting in Abstract Art
Abstract art has roots across many cultures, and the contemporary art scene is now filled with many artists working in the abstract from every region on Earth. Hence, the understanding of abstract art can vary among individuals with different backgrounds. Below, we’ve assembled 10 of the most exciting abstract artists from Southeast Asia. These artists represent a wide variety of aesthetic approaches and span multiple generations. What is clear from these artists is that Southeast Asia continues to produce some of the most exciting voices in the world of abstract art. No survey of the field is complete without their work. Vietnam 1. Ha Manh Thang (b. 1980) Cry For A Flag #2 (2020) [SOURCE] Ha Manh Thang is a Vietnamese artist who is working at the forefront of his culture. As tidal shifts continue to occur since Doi Moi — a series of reforms set forth in 1986 that have brought Western corporations and values into the country — he discusses these ongoing changes on the canvas. His abstract works are as much studies in texture as in color, using the paint to build forms that cast shadows and reach out from the surface. While his figurative pieces are often satirical confrontations with society, these newest experimentations give his work a more universal tone. Ha Manh Thang received a degree from Hanoi Fine Arts University in 2004, going on to participate in several notable regional and international exhibitions. He currently lives in Hanoi. 2. Tulip Duong (b. 1966) My Window (2018) [SOURCE] Tulip Duong revels in the fast paced, the things in the world that are coming into being. Her abstract art borders on representation, though it never quite coheres into a full image. Instead, the pieces hang in that liminal space just before fully materializing. Working from her Hanoi studio, Tulip Duong has shown work around the world, touching on global issues while still maintaining Vietnamese characteristics in her compositions. This riveting connection is held together by her singular voice. The centrality of her viewpoint runs throughout her oeuvre, even as her paintings continue to explore new horizons. Since 2000, Tulip Duong’s work has appeared in several group and solo shows, as well as publications. 3. Tran Tuan (b. 1961) Spring (2012) [SOURCE] Vietnamese artist Tran Tuan’s career covers many different forms and approaches, but all of his work stands out as vivid, colorful and energetic studies. These paintings are alive with bold, heavy brushstrokes stitched together in unexpected ways. His abstract work takes a maximalist approach, every inch of his canvases are alive and urgent. He manages these brilliant palettes through an almost athletic vigor. The overwhelming images deliver the viewer over to a world entirely its own, one built out of dazzling color and intricate brushwork. Tran Tuan’s work appears in private collections throughout Europe, North America and Australia. He received his degree from Fine Art University of Hanoi in 1990. Indonesia 4. Christine Ay Tjoe (b. 1973) Large Space of Shoots #2 (2020) [SOURCE] Chrstine Ay Tjoe is an Indonesian artist who restlessly seeks out the depths of the human condition. Her work spans many mediums, including: intaglio prints, textiles, painting, drawing, sculpture and large-scale installations. Her abstract paintings carry on the mission of her entire career, evoking the power — and darkness — in subjective experience. These works are splashes of complex forms on white canvas, both cryptic and beautiful. While an initial glance might only find confusion, a closer look reveals intricate control and detail work. These are intricately crafted pieces, with forms that seem to arise spontaneously out of the amorphous composition. Christine Ay Tjoe works in Bandung, her hometown. Her work has appeared around the world. 5. Erizal As (b. 1979) Formless Existence (2019) [SOURCE] Erizal As creates rhythmic, almost musical abstract works. His muscular brushstrokes and use of heavy layers of paint create crowded canvases that deliver up an excessive bounty. In all that excess is patterning akin to syncopation, a tension between the expectation of the viewer and where the art ultimately takes them. His work deals in real subject matter, but it handles scenes and portraiture in an entirely abstract way. This approach delivers an experience very rare in abstract painting, again testing expectations. His work often takes on themes like authenticity, or the lack of it, often with a critical eye toward society and power. Erizal As received his education at the Indonesian Institute of Fine Art. His selected group and solo exhibitions have appeared across Southeast Asia. 6. Rinaldi Syam (b. 1976) Landscape Color (2019) [SOURCE] Rinaldi Syam is a painter and sculptor working out of Indonesia. His abstract paintings are filled with sumptuous forms in a kind of collage, quilted together in rough edged regions. The soft texture draws the eye in, and the complex composition keeps the viewer there to decode what they have found. His work sometimes moves from the abstract to the surreal, but always with hallucinatory grandeur and a deeply felt sense of beauty. While his canvas sometimes overflows with detail, there is a gentleness to his technique, always rendering forms with reverence. That care and tenderness seeps out when looking at his paintings, a calming force that quietsthe space. Rinaldi Syam lives and works in Yogyakarta. His work has won several awards in both Indonesia and Japan. Thailand: 7. Nim Kruasaeng (b. 1974) [SOURCE] Nim Kruasaeng’s paintings are simple, elegant observations. Their presence is unassuming and yet captivating. They gradually make their way through to the viewer, never demanding attention but always earning it — the way you lean in when someone whispers. The pieces often rely on rhythm and a palette of only two or three colors. Her ability to get the most out of these pared down elements reveals the mastery of the artist and her guiding obsessions: the relation between bodies in space, the pleasure of a perfect line, the ability to say more with suggestion than direct description. It is through thesegrounding ideas that her delicate and meditative work flows. Nim Kruaseng is a self-taught artist who found recognition in the 1990’s from peers in the Thai art scene. She currently lives and works in both Bangkok and Pattaya. 8. Udomsak Krisanamis (b. 1966) Your Disco Needs You (2001) [SOURCE] Udomsak Krisanamis has built a career out of conceptually rigorous paintings that continue to develop a single line of thought. Through the integration of mixed-media on his canvas — including cellophane, noodles, newspaper, among other items — he builds pieces that combine strict formalism with exploration at the borders of these self-imposedlimits. The diversity born out of this single project is sweeping, though always anchored by his trademark style. The longer one takes in his work, the more one gets into the headspace of its creator. It is a journey into an uncompromising artistic vision that continues to remake the world. Udomsak Krisanamis currently lives and works in Bangkok. He received his education at Chulalongkorn University, Bangkok and the Art Institute of Chicago. His solo and group exhibitions have shown internationally. Singapore: 9. Genevieve Chua (b. 1984) EdgeControl #21, More True Than False (2017) [SOURCE] Genevieve Chua makes abstract work that seeks to evoke natural forms while always inserting visual reference from technological artifacts like the glitch. She aggressively explores beyond the expected presentation of painting, pushing the uneasy mix of the natural and the digital even further. Her work often breaks out of the traditional canvas, exploring unique objects to introduce abstract painting. She incorporates shaped canvases that come together to produce a kind of deconstructed canvas for her to explore. She also integrates printing methods to ground her painting, like screen prints and giclée prints. Genevieve Chua received her education at the Royal College of Art in London. Her solo exhibitions have spanned Asia, with group exhibitions around the world. 10. Jamie Tan (b. 1990) IntoxicatedCalls (2018) [SOURCE] Jamie Tan takes color field into the next century with a unique take on the genre that is informed as much by the structure of computer displays as the career of Rothko. Rather than taking off into highly conceptual detours, his work keeps returning to color. The paintings use a sophisticated understanding of that single tool and continue to reimagine how to present it. The clean lines and interlaced patterns of color strips that define Jamie Tan’s work produce energy and movement through their interaction. But these pieces are not just practices in color theory. They also serve as a link in the discussion begun by color field painters from the century past with the current visual landscape of contemporary society. Jamie Tan earned a degree in Fine Arts from Lasalle College of the Arts in 2017. His first solo show debuted in 2019 Inspired by the artists? Shop abstract art on RtistiQ Art Marketplace. Enjoy 7 Day Delivery & 14 Day Return policy for all users today. Author: Jonathan M Clark
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Art Redefined: The Digital Era with Olyvia Kwok-Decani
In a rapidly changing world, the art industry has been profoundly impacted by the digital age and the emergence of millennials as a driving force in shaping its landscape. Olyvia Kwok-Decani, an esteemed expert in the field, provides valuable insights into the pivotal role millennials play in the evolution of art, particularly their influence on art consumption, creation, and the integration of technology. New era in the art market: As we delve into 2023, a significant shift has occurred, with millennials surpassing previous generations in art spending, marking a new era in the art market. The Art Basel-UBS report highlights this trend, revealing that millennials have exceeded boomers in their investment in artwork, leading to a notable increase in sales. Olyvia emphasizes this shift, stating, "Millennials spend four times as much as boomers and double the spending of Gen X." The digital age This has had a transformative shift. Growing up immersed in technology, millennials have wholeheartedly embraced digital art and non-fungible tokens (NFTs) with great enthusiasm. Digital platforms have become fundamental for showcasing and acquiring artwork, fostering a strong sense of community among artists and art enthusiasts alike. Recognizing the significance of these platforms, Olyvia emphasizes, "Social media has emerged as a powerful marketing tool for artists and galleries to engage with the millennial audience, who predominantly consume art digitally." Influence of millennials Artists are adapting their practices to cater to this tech-savvy generation. The integration of digital tools and experiences has become paramount, enabling artists to provide immersive and interactive encounters for their audience. The boundaries between technology and art have blurred, giving rise to innovative forms of expression and exploration. Olyvia notes “that this shift has opened up new avenues for artists to connect with a broader audience and forge stronger bonds within the art community.” Art consumption: Millennials' interest in art extends beyond mere consumption; they are actively leaving their mark as artists. A wave of talented millennial artists has emerged, bringing forth fresh perspectives and themes that captivate the contemporary art scene. Notable names such as Sadie Burnette, Sam Falls, and Lu Yang have garnered recognition for their distinctive approaches, leaving a lasting impact. Millennials prioritize experiences and emotional connections when engaging with art, seeking works that provoke thought and challenge traditional norms. Consequently, politically themed artwork has experienced a surge, as artists utilize their craft to voice opinions and address pressing social issues. Digital engagement Millennials' impact on the art world transcends aesthetics and digital engagement. Olyvia underscores the fact that millennials view art as “enjoyable assets and increasingly consider it a viable financial investment”. Art has become a popular avenue for wealth accumulation among this generation, offering an alternative to conventional investment options. Motivated by financial gains and a desire to support artists, millennials have fuelled the growth of the art market, actively participating in and contributing to the art ecosystem. In conclusion The advent of the digital era has brought about a transformative shift in the art world, with millennials leading the charge. Their profound affinity for technology, quest for meaningful experiences, and financial motivations have redefined the art landscape. From embracing digital platforms to spearheading the creation of immersive art experiences, millennials are reshaping the future of art consumption and creation. As Olyvia Kwok-Decani aptly summarizes, "The millennial influence can be seen in the way art consumption has moved to digital platforms and the innovative approaches artists are taking to engage their audience." With millennials at the forefront, the art world continues to evolve along an exciting trajectory. About The Author Olyvia Kwok Decani Olyvia Kwok Decani has been collecting and investing in art for over 15 years. After graduating from Queen Mary’s University in 2002 with a degree in BSc Statistics, Olyvia opened her first gallery in St. James’s London. With years of experience, alongside in-depth knowledge of the market and an extensive global network, Olyvia continues to be one of the most prestigious and successful individuals in the industry.

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The Benefits of Buying Original Artwork Online
Are you looking to add some original artwork to your home or office? Buying art online can be a convenient and rewarding experience, allowing you to browse a wide selection of unique pieces from independent artists worldwide. Plus, you'll be supporting the arts community and investing in one-of-a-kind pieces that can add beauty and personality to any space. The online art market has been growing rapidly in recent years. In 2020, online art sales reached $12.4 billion, up from $6.7 billion in 2017. This growth is being driven by several factors, including: The increasing popularity of online shopping. The growing number of art collectors who are comfortable buying art online. The increasing availability of high-quality art online. The convenience of buying art online. We explore further some of the benefits of buying art online and why anyone should consider purchasing art online to expand their Artwork collection. Access to a broader selection of artwork. One of the most significant advantages of buying original artwork online is access to more pieces. Unlike traditional brick-and-mortar galleries, online art marketplaces can feature thousands of works from artists worldwide. You can browse styles, mediums, and price points to find the perfect piece for your space and budget. Many online platforms offer search filters and personalised recommendations to discover new artists and styles. Convenience and ease of shopping. Buying original artwork online offers unparalleled convenience and ease of shopping. You can browse and purchase artwork from the comfort of your home without travelling to a physical gallery or attending an art fair. This is especially beneficial for those with busy schedules or limited mobility. Additionally, online art marketplaces and online galleries often provide detailed information about each piece, including its size, medium, and artist biography, making an informed purchase decision easier. Many platforms offer secure payment options and hassle-free shipping, ensuring a smooth and stress-free buying experience. Direct support for independent artists. One of the most significant benefits of buying original artwork online is its direct support for independent artists. By purchasing artwork directly from the artist or through online marketplaces that support independent creators, you are helping to sustain their livelihood and support their creative endeavours. Emerging artists may have a different level of exposure or financial support than more established artists. Buying original artwork online is a convenient and meaningful way to support the arts community. Ability to discover new and emerging artists. Buying original artwork online allows you to discover new and emerging artists from all over the world. Online marketplaces and artist websites often feature a wide range of styles and mediums, allowing you to explore and find unique pieces you may not have otherwise discovered. Plus, you can snag a great deal on a piece before the artist becomes more well-known and their prices increase. This can be a great way to add variety to your art collection and support up-and-coming artists who are just starting to make a name for themselves in the art world. Some platforms allow you to follow the Artists to know about their next significant event or when they complete the next Artwork to be the first to know and acquire their latest works. Customisable options for framing and display. One of the benefits of buying original artwork online is the customisable options for framing and display. Many online marketplaces and artist websites offer various framing options, allowing you to choose the perfect frame to complement your new piece. Some websites even provide virtual tools to see how the artwork will look in your space before you purchase. This can help you make an informed decision about the size and placement of the piece in your home or office. The ability to customise your new artwork's framing and display options can help you create a truly unique and personalised addition to your collection. Technology is adding to the Art Buying Experience. With increasing technological advancement, buying Art Online through Online Galleries and Marketplaces is becoming more experiential. Use Augmented Reality to project the Artwork in your own space, Artificial Intelligence-based Art recommendations, and Image recognition tools to combine similar works or styles to explore and make your choices. Explore the works, mark your favourites, visualise in your settings and then decide to buy an artwork that suits your interest best. As a closing remark, it is safe to say that Buying Art Online will see more significant growth in coming years to support the democratisation of the Art Market and expand the reach for Artists through Online Galleries and Marketplaces to a newer audience across the globe. RtistiQ is one of the leading online marketplaces for Art, which has adopted new technologies such as Augmented Reality, 3D Spaces, Blockchain and NFC technologies not just to increase the virtual experience of Art Lovers but also to safeguard their investments through digital certification of the works to ensure genuine Authenticity.

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SINGAPORE AND ITS BOOMING ART SCENE
Over the recent years, the growing art scene in Singapore has gathered much attention across the globe. Singapore has bloomed from just being an important financial hub to also a center of art and culture. For anyone looking to explore this booming art scene in Singapore, the various art museums and galleries in the island is just the right place to visit. The Singapore Art Museum (SAM) Location - 39 Keppel Rd, #01-02 Tanjong Pagar Distripark, Singapore 089065 (Heritage buildings at Bras Basah Road and Queen Street closed for redevelopment) Entirely dedicated to contemporary art, the Singapore Art Museum holds an exquisite collection of artistic works by some of the best local southeast and East Asian artists. While creating a lively art experience for all, it has also organized a variety of exciting art events such as the Singapore Biennale and the Singapore Art Week which also included live art performances, art tours, workshops, etc. It has opened up multiple venues for exhibiting art. Apart from the two heritage buildings, the former St. Joseph’s Institution and the former Catholic Street, the most recent addition is the one in Tanjong Pagar Distripark. The National Gallery Singapore Location – 1 St Andrew's Rd, Singapore 178957 The largest museum of Singaporean and Southeast Asian modern Art, it is sheltered in the two iconic Singapore buildings – the Supreme court building and the City hall. These two monuments are itself great works of art built during the colonial times in Singapore. Today, it is home to some of the best collection of modern Singapore and southeast Asian art including the works of prominent local artists like Georgette Chen, Che Chong Swee and Liu Kang as well as by leading artists from both southeast Asia and the rest of the globe such as Raden Saleh from Indonesia and Latiff Mohidin from Malaysia. The exhibitions in many ways expresses the essence of Singaporean art and heritage. There is also the Keppel Centre for Art Education here which is Singapore’s first foremost art education center that fosters an environment of learning and exploration for youths, children and families. The Art House Location – 1 Old Parliament Ln, Singapore 179429 The art house was first established as the Old Parliament House Limited but it was later was renamed as the Arts House Limited on 19 March 2014. It strives to build up a rich community life by connecting through the diverse artistic productions in Singapore. It hosts art activities and exhibitions on a regular basis facilitating interactions among artists and lovers of art. Gillman Barracks Location – 9 Lock Rd, Singapore 108937 While Gillman Barracks today constitutes a space dedicated to creative art, originally, it was a building constructed in 1936 as army barracks for the British’s 1st Battalion. It was named after General Sir Webb Gillman. In 2012, it was transformed into a space for housing some of the leading art galleries while retaining the main colonial architectural designs. This includes the ShanghART Singapore and Sundaram Tagore Gallery. Today, it exhibits a wide array of top contemporary art from different parts of the globe. Within the same structure is the NTU Centre for Contemporary Art (CCA) Singapore which is a research center that encourages experimentation with contemporary art. Goodman Arts Centre Location – 90 Goodman Rd, Singapore 439053 Established in 2011, the Goodman Arts Centre aims to build a lively space for art lovers to interact and experience different art forms such as fine art, dance, theatre and poetry. It is known for organizing some of the most thought provoking and exciting workshops and performances that reaches out to a diverse audience. Ranging from ceramic arts to cultural dance, there is something for everyone in Goodman Arts Centre. Collectors Contemporary Location – Petro Centre, 5 Jalan Kilang Barat, Singapore Collectors Contemporary brings to the fore innovative artistic productions from across the globe in a single platform; also providing an opportunity for art lovers to own some of these contemporary art works. Its selection of exhibits encompasses extraordinary modern and contemporary artwork of high quality. Famous for housing the largest collection of artworks by the famous icon, Andy Warhol, it also regularly arranges educational events and programs for art students with professional artists thereby creating a space of learning. NUS Museum Location – University Cultural Centre, Singapore Unlike other art museums, the NUS museum is actually a university museum set up to encourage cultural artistic life within the university. To enrich the learning experience, it organizes exhibitions, workshops, film screenings and public programs which is carefully curated. It consists of nine galleries which are mostly focused on presenting Southeast Asian art and culture. This includes four permanent collections – the south and Southeast Asian Collection, the Lee Kong Chian Collection, the Ng Eng Teng Collection and the Straits Chinese Collection. The Parkview Museum Location - L3, Parkview Square 600 North Bridge Road, Singapore The main highlight of the Parkview Museum established by the Parkview Group is Italian contemporary art and is famous for holding the largest Salvador Dali collection outside Spain. It however also figures as an important space that encourages the growth of the local art scene. This organizes solo shows and theme-based exhibitions mostly focused on architectural design and traditional art and culture.