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ART 101

An Insight into Art Forms of Indonesia

An Insight into Art Forms of Indonesia
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Indonesia demonstrates a pluralistic art culture where not only traditional and modern art forms are pursued in harmony, but also the evolution of art forms can be witnessed through varied influences of foreign cultures and religions.  

Evidence of spiritual art can be traced back to even 1500 B.C. in Indonesia through stone and wooden artifacts, which represented spiritual expression with aesthetics. These elements when combined with Hinduism effectuated Indonesian court art in 7th century. The rise of westernized art came later when the country became a Dutch colony in the 17th century. When the artists started traveling to European countries to study art
during 18th and 19th centuries, some of the modern forms of arts developed. Although the impact of religion and spiritualism still reflects in contemporary paintings, yet most of these artworks are a symbol of individual responses to social issues.  

This post outlines some of the prevalent forms of painting in Indonesia over the past two centuries, the most popular artists of that period, and discernment into the contemporary art scene with present-day artists.  

Romanticism – This art form was first used in Germany in 1700s, and is characterized by an emphasis on personal, subjective, imaginative, irrational spontaneous and transcendental. In simple words, a deepened sense of emotions and senses. One of the most famous artists who created paintings with Romanticism theme was Raden Saleh. He studied in Netherlands and traveled across Europe to enhance his skills. The following is
a famous painting by Raden Saleh, called ‘Lion Hunt’ 

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(source: commons.wikimedia.org) 

Expressionism – This is an art form where the artist focuses on expressing emotions subjectively through exaggeration, distortion, fantasy etc. The aim of the artist in painting here is to be expressive, not beautiful. Many modern artists use this spontaneous technique to depict their minds rather than the outside world.  

Affandi is a well-known name in Indonesian art scene who made use of Expressionism to create more than 2000 pieces of art, which are displayed in a museum at Yogyakarta. Although Affandi started painting as a realism artist, he later moved to expressionism since, in his own words, ‘ 

Afandi used an exceptional technique to paint by directly squeezing the paint from the tube to canvas. It is interesting to note that he discovered this technique by accident. The anecdote behind it goes like this. Once Affandi broke his brush and to continue to paint, he squeezed the paint directly from the tube to the canvas and then, used his hands as tools. He later started using this technique as his signature style as he believed it gave more dimension to his work.  

One of his paintings, created in 1950, called ‘The Artist and His Daughter’, shows a beautiful blend of realism and expressionism during the years when he was discovering his signature style. 

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(source: www.affandi.org) 

Another painting by Affandi painted in 1967, called ‘Wisdom of the East’, shows the hand of God reaching across the ocean to the West,
while holding wisemen of East – Gandhi, Lo The, and Semar.

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(source: www.affandi.org) 

Another prominent artist, who is generally rated amongst the five maestros of Indonesian modern art was Hendra Gunawan. His painting style was a combination of western techniques and Indonesian aesthetics. He was not only a painter, but also a guirella fighter during Dutch colonial rule. He later became an activist against the ruling government and was incarcerated from 1965-1978. He continued painting in prison, on small scraps of canvas he had available. Hendra’s paintings have a unique vibrancy to them, despite his life situation and his poverty. The paintings usually show workers in their day-to-day activities, and the background of the paintings seems to be in motion.  

His painting ‘Catching a Butterfly’ (source: https://www.cobosocial.com/dossiers/hendra-gunawan-revelations) shows a young girl in her innocence and purity, thus evoking emotional connection with admirers. Most of his paintings have this affect on viewers.  

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Mooi Indie (“Beautiful Indies”) – This art style was developed in Indonesia during the Dutch regime in the 19th century. It was mainly a way for the Dutch government to increase the tourism appeal for Dutch East Indies. The colonial government at the time wanted to showcase a romanticized view of Indonesia and most artists were not allowed to express the reality, many artists believe that this style represents a slave mentality of
colonial era. In fact, one of the most important visual artists before independence, Sindu Sudjojono (1913-1986) coined the term ‘Mooi Indie’ and rejected this movement as “an idealised view of the colonial period and not a true representation of Indonesian society”. Nevertheless, numerous magnificent paintings were produced which showed beautiful, serene, heavenly, and peaceful scenes like mountains, rivers, valleys, villages in Indonesia. Today, the artworks produced in this genre are amongst the most expensive in auctions.  

Abdullah Suriosubroto was a famous artist who painted Landscape art or Mooi Indie paintings. Notably, he had enrolled in a medical school in what is now Jakarta. But when he went to Netherlands, his interest shifted to fine arts, and thus was born a legendary name in Indonesia art history. The following painting of Priangan landscape by Abdullah Suriosubroto captures the exquisite beauty of landscape and immense talent of the artist 

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(source: commons.wikimedia.org)  

Realism – This style of art, as the name indicates, depicts ‘real’ objects and scenes. Realism or naturalism, as it is often called, provides an accurate description of the anatomy of humans and animals, details of color and light, and resembles the real world closely. You could understand realism as photograph-like portrayal of objects, characters and scenes. However, it does not imply that the artist painting realism artwork did not paint
imaginary characters like angels, demons, flying horses, or ghosts. The imaginary and intriguing stuff often finds its way into realism although
the proportions and details of the objects and characters are accurate like in real world. For example, the artist may paint an angel, however, the body will be human like and the wings would be proportionate to the body. A ghost, similarly, would not be blown out of proportion and there would be detailed light effects to indicate that it is a dead person. Some artists and scholars refer to this type of realism as ‘Illusionistic Realism’. Realism as an art form began as a reaction to romanticism, hence, principally they are opposites.
 

There were two notable artists in this genre in Indonesia - Basuki Abdullah (Abdullah Suriosubroto’s son) and S. Sudjojono.  

Basuki Abdullah was a maestro artist and painted focusing on culture and tradition. He painted people, flora and fauna, themes of struggles
etc. He was known as a portrait painter, though he used to enhance the beauty of his subjects. An example of his work is – Fight between Ravana and Jatayu  

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(source: art-indonesian-art.blogspot) 

This painting depicts a scene from the Hindu Epic Ramayana where Ravana is kidnapping Sita, wife of Lord Rama, and a bird called Jatayu is
trying to save her from him.  

S. Sudjojono, on the other hand, was an activist. He wanted to depict social issues through his art and was the pioneer of socialist realism in Indonesia. His expressed his political views through his paintings and wanted them to provide historical and educational value. His painting ‘Comrade of Revolution’ is amongst his most famous artworks 

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(source: archive.ivaa-online.org)  

Balinese Art – This form of art was introduced into Indonesia in the 14th century through the Majapahit’s conquest of Bali. The initial works of art in this style were usually wood carvings and stone carvings. Balinese art was originally carved, painted or woven into objects of daily use. But later, it expanded, and several beautifully refined and intricate paintings were created, which resemble baroque folk art. These paintings often have the theme of battles between good and bad forces, the narratives originating from Hindu-Javanese epics, Javanese folktales and Buddhist texts. Most of these paintings were created as a collaborative work and hence, the artists are anonymous.  

This painting is called ‘Wayan Kayun-Barong dance’. 

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(source: tarigallery.wordpress) 

In current day, countless of galleries in Bali showcase phenomenal artwork from the famous modern artists as well as from the continually growing local art community. Some Indonesian paintings are displayed in museums and temples across the world. The oldest painting from the 15th century is a lotus painting with Ganesha’s figure and is now preserved at Pura Besakih. 

Author: Manisha Bhati

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For example, a painting made with oil paints will have a different look and feel than a painting made with watercolors. The medium can also affect the way that the viewer interacts with the artwork, an example being, a sculpture that is made from metal will feel different to the touch than a sculpture that is made from wood. The art medium is of utmost importance in the representation of art as it influences the aesthetics, technical possibilities, symbolic significance, and cultural context of an artwork. It allows artists to express their vision, engage viewers, and communicate their intended messages effectively. The careful consideration and deliberate selection of the art medium contribute to the overall artistic expression and impact of the artwork.Different art mediums have evolved throughout history and across cultures, reflecting the societal and historical context in which they originated. The selection of a particular medium can evoke associations and references to specific art movements, traditions, or periods. The Future of Art Mediums The art world is constantly evolving, and new art mediums are being developed all the time. For example, digital art is becoming increasingly popular, as artists use computers and other digital tools to create their work. It is impossible to predict what the future holds for art mediums. However, it is likely that new art mediums will continue to be developed, and that artists will continue to experiment with different materials and techniques. It's important to note that the future of art mediums will be shaped by the creativity and experimentation of artists themselves, as they continue to push boundaries, embrace new technologies, and explore innovative approaches to art-making. The possibilities are vast, and the future of art mediums for visual artists holds exciting potential for artistic expression and engagement with audiences. Digital, Augmented and Virtual Realities, Mixed Media, Eco-Friendly Materials, BioArt and Living Materials, all are being explored, included and evolved for Artists to continously push the boundaries of their creative abilities to produce thought provoking artworks. Conclusion In the realm of art, the term "art medium" embraces a dual meaning. It encompasses both the categorization of art forms and the materials employed by artists. The category of art medium reflects the different disciplines and techniques artists employ to create their work, while the material aspect highlights the tangible tools and substances used to manifest their creative visions. Artists' choices of medium significantly influence the visual, tactile, and conceptual qualities of their artworks. Furthermore, contemporary artists often push the boundaries of traditional mediums by exploring hybrid forms and incorporating new technologies. 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The Lowbrow art movement, also known as pop surrealism, has emerged as a captivating and distinctive artistic movement that challenges traditional norms and blurs the boundaries between high and low culture. Rooted in the rebellious spirit of underground art scenes, Lowbrow art has gained recognition for its unique characteristics, diverse subject matter, and ability to engage viewers with its whimsical, provocative, and often dark narratives. This article delves into the fascinating world of the Lowbrow art movement, exploring its defining characteristics and its profound impact on contemporary art. Origin of Lowbrow Art The origin of Lowbrow art can be traced back to the 1970s in Southern California, specifically in the Los Angeles area. The movement emerged as a response to the dominant art trends of the time and sought to challenge the elitism and exclusivity of the traditional art world. The term "Lowbrow" itself was coined by artist Robert Williams, who used it to describe his own artistic style. Williams, along with other like-minded artists, felt disconnected from the mainstream art scene, which heavily favored abstract expressionism and minimalism. They found inspiration in underground comics, hot rod culture, and other elements of popular and counter-culture. Robert Williams, claims the copyright on the word "Lowbrow" The influence of underground comics, particularly artists such as Robert Crumb, played a significant role in shaping the aesthetics and subject matter of Lowbrow art. These comics often featured satirical, irreverent, and subversive content that resonated with the countercultural movements of the time. The Lowbrow art movement sought to challenge the elitism and exclusivity of highbrow art by incorporating popular culture, comic books, graffiti, street art, and subcultural elements into its visual vocabulary. Rejecting the notion that art should solely focus on lofty concepts or traditional techniques, Lowbrow artists celebrate the kitsch, the strange, and the marginalized, creating a rich tapestry of visually engaging and accessible works. Purple as an Inexplicable Poetic Force, 2015, oil on canvas, courtesy LSU Museum of Art Characteristics of Lowbrow Art Pop Culture Influence: Lowbrow art draws heavily from popular culture, including comic books, cartoons, science fiction, B-movies, and advertising. It embraces the iconography and symbols of these mediums, using them to tell stories, subvert expectations, and critique societal norms. One prominent characteristic of Lowbrow art is its subversion of traditional artistic norms. By appropriating and recontextualizing pop culture imagery, Lowbrow artists challenge the conventional notions of high art, blurring the line between fine art and popular entertainment. This fusion of high and low culture creates a playful and accessible aesthetic that resonates with a broad audience. Skillful Execution: Though often labeled as "low," the technical proficiency of Lowbrow art is noteworthy. Many Lowbrow artists possess strong foundational skills, blending traditional techniques with contemporary approaches. This fusion allows for highly detailed and imaginative creations that captivate viewers with their level of craftsmanship. Lowbrow art encompasses a wide range of artistic styles and mediums, including painting, sculpture, illustration, and digital art. The artists employ a variety of techniques, such as hyperrealism, surrealism, and cartooning, to bring their visions to life. The meticulous attention to detail and the mastery of various mediums demonstrate the artistic prowess of Lowbrow practitioners. Playful and Whimsical Imagery: Lowbrow art often features surreal, whimsical, and fantastical imagery. Artists freely explore the realm of imagination, creating dreamlike scenarios, anthropomorphized characters, and surreal juxtapositions. This infusion of playful elements injects a sense of wonder and joy into the art, captivating audiences with its otherworldly charm. The whimsical nature of Lowbrow art allows viewers to escape the constraints of reality and enter a world of fantasy and possibility. The imagery is often marked by vibrant colors, exaggerated proportions, and fantastical landscapes, transporting viewers to a realm where anything is possible. Dark and Subversive Undertones: While Lowbrow art embraces the playful, it also delves into the darker aspects of human existence. It explores themes of alienation, social commentary, and the human psyche. Through a blend of humor, satire, and irony, Lowbrow artists invite viewers to confront uncomfortable truths, offering a critique of societal norms and challenging established narratives. Lowbrow art often serves as a platform for social and political commentary, tackling issues such as consumerism, environmental degradation, and cultural stereotypes. It exposes the contradictions and absurdities of contemporary society, encouraging viewers to question the status quo and examine their own beliefs and values. Narrative-driven Artworks: Lowbrow art often tells stories, presenting viewers with intricate narratives and inviting them to interpret the visual tales within the artwork. These narratives can be personal, social, or cultural, provoking thought and sparking conversations around the artwork's underlying themes. Lowbrow artists employ storytelling techniques to engage viewers on a deeper level. The narratives within the artworks may be cryptic, leaving room for individual interpretation and multiple layers of meaning. The stories can be fantastical, symbolic, or even autobiographical, allowing viewers to form personal connections with the art and its themes. Influence and Impact The Lowbrow art movement has had a significant impact on the art world and popular culture. Initially relegated to underground galleries and alternative spaces, Lowbrow art has gained recognition and acceptance in mainstream art institutions. Its unique blend of technical skill, popular culture references, and thought-provoking narratives has resonated with audiences around the world, appealing to both art enthusiasts and those outside the traditional art sphere. Moreover, Lowbrow art has influenced and shaped other contemporary art forms, such as street art, illustration, and graphic design. It has blurred the lines between high and low culture, challenging the notion of what constitutes "legitimate" art. By incorporating elements from subcultures, comics, and street art, Lowbrow has breathed new life into the art scene, fostering creativity, diversity, and inclusivity. Conclusion The Lowbrow art movement, with its distinctive characteristics and diverse subject matter, has carved a unique place for itself in the contemporary art landscape. By embracing popular culture, subverting artistic norms, and incorporating whimsical and dark elements, Lowbrow art captivates viewers and invites them to explore new realms of imagination and thought. Through its playful and accessible aesthetic, Lowbrow art has challenged the elitism of the art world, blurring the boundaries between high and low culture. It has inspired a new generation of artists, encouraging them to break free from traditional artistic conventions and explore their own unique voices. The influence of Lowbrow art extends beyond the boundaries of the art world, permeating popular culture and shaping contemporary visual aesthetics. Its impact can be seen in street art, illustration, graphic design, and even fashion.As the Lowbrow art movement continues to evolve and push artistic boundaries, it serves as a testament to the power of art to challenge, provoke, and inspire. By embracing the unconventional and celebrating the extraordinary in the ordinary, Lowbrow art reminds us of the boundless possibilities of artistic expression and the enduring impact it can have on our society and culture.

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